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Current Exhibitions

Jules Tavernier: Artist and Adventurer

Tavernier

June 6–October 20, 2014
MMA Pacific Street

French artist Jules Tavernier (1844­–1889) was one of the American West’s pioneering talents and a great adventurer. This exhibition surveys the artist’s career, presenting a hundred works of art. It includes his early transcontinental illustrations for “Harper’s Weekly,” paintings of Native American subjects, and scenes of the San Francisco Bay area and the Monterey Peninsula, where he founded the local art colony in 1875.

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Monterey Now: Malin Lager

Lager_Emelie-II

June 6–October 20, 2014
MMA Pacific Street

Textile artist Malin Lager (Swedish, b. 1946) creates astonishingly detailed wall works using a sewing machine and thread. Her masterful creations resemble illusionistic paintings that address evocative and challenging universal themes. Lager’s extraordinary artworks fabricated on stretched canvas are so expertly rendered and sharp that they are often mistaken for oil paintings.

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Crossing the Bridge: Emiko Nakano—Abstract Landscapes

nakano

May 1–January 15, 2015
MMA La Mirada

Emiko Nakano (1925–1990) is an abstract painter from the San Francisco Bay Area. One of the few Japanese-American women recognized as part of the Bay Area Abstract Movement, she is known for her colorful and expressionist landscapes.

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Iconic Masterpieces of Early California Painting

nino

Through October 2015
MMA La Mirada

A new installation of iconic masterpieces from the Museum’s collection is on view at the Monterey Museum of Art—La Mirada featuring paintings by Armin Hansen (1886-1967), William F. Ritschel (1864-1949), E. Charlton Fortune (1885-1969), Francis McComas (1875-1938), and M. Evelyn McCormick (1962-1948). Visit the galleries to discover old friends in a new light.

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From Dawn to Dusk: Gottardo Piazzoni’s Final Murals

Salinas-River-21-225x149

Ongoing
MMA La Mirada

Gottardo Piazzoni (1872-1945) moved from Switzerland to his family’s ranch in Carmel Valley in 1887. Subsequent study in Paris and San Francisco exposed the young Piazzoni to the revolutionary artistic developments of modernism and the muted symbolic pallet of tonalism which infuses his paintings of the California landscape.

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